Every musician has people who they look up to for inspiration (devine, or otherwise), that gives their music some substance with which to build a career (my gosh that was a mouthful...).
Most folks who know me know that among mine are people like saxophonist David Sanborn, and the late Michael Brecker (Tenor saxophone).
I want to talk about some of my other influences, because it's important that you understand the core and soul of my music. Moreover, the thoughts that I put together when I sing, or play my own saxophone is a direct result of the influences that these people have in my life.
Vonda Shepard is a vocalist, pianist and writer of some incredible music. When she sings, it give me chills. The way that she uses her voice just excites me like Christmas, and my birthday all in one.
Patrice Rushen is another, and a forerunner to people like Vonda who grooves so hard that you'd be considered dead if you didn't get moved by her music.
The late great Richard Tee was a brilliant session musician and arranger who graced countless recordings, and he to me was the Fender Rhodes "Jedi Master."
These are just a scant few of the folks who have made the music in me come alive, and I speak about them because more often than not everyone needs inspiration.
Having something to aspire to is always a good thing because it keeps you focused, and more inportantly, it keeps you in check.
I remember the very first time that I met Richard Tee in person was on the subway in Manhattan. I spotted him on Columbus Circle and 66th street. I just walked up to him and told him how much I admired his playing. I just happened to have my sax with me that day (lucky me...), and he was so nice in fact that he invited me to hear him do a commercial that he was on his way to do.
At the studio, we talked for awhile while the engineers were setting up, and I told him that I was going to Manhattan School of Music, and he thought that that was a great idea. He said that "back in the day alot of folks thought that only the stuffed shirts went to music schools, you either got educated on the bandstand or you listened in the audience, and truly many "brothers" never saw the inside of a school let alone one for music." None the less that feeling started to change when people like Wynton (Marsalis) came along. Now we realize how useful schools really are for us.
In truth though, I still feel that the sum of my parts have equalled out because I've been educated in 2 realms; Manhattan School of Music and also "Bandstand University," and my professors have really given me that benefit of the finest education.
I hope that I continue to make them proud.
Life offers many opportunities to further oneself in every field, take advantage of possibilities whenever you can, and make the sum of your parts equal one great person...you.
Support Live music today tomorrow and always.
Saturday, April 26, 2008
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1 comment:
cool charlie. you have had a rich and full life so far!
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